A staged reading of Turning Point during the VSA festival in USA

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Turning Point

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Arts & Disability Ireland and Fishamble: The New Play Company commissioned four artists with disabilities to write new short theatre pieces for a writing initiative entitled Turning Point. Staged readings were performed in Project Arts Centre in Dublin and at the Lansburgh Theatre in Washington D.C. as part of the VSA International Festival.

Jason Lott and Alexandria Wailes during a staged reading of Rings by Rosaleen McDonagh at the Lansburgh Theatre in Washington D.C. as part of the VSA International Festival. Photo: Bathsheba Fournier

Jason Lott and Alexandria Wailes during a staged reading of Rings by Rosaleen McDonagh at the Lansburgh Theatre in Washington D.C. as part of the VSA International Festival. Photo: Bathsheba Fournier.

Jason Lott and Alexandria Wailes during a staged reading of Rings by Rosaleen McDonagh at the Lansburgh Theatre in Washington D.C. as part of the VSA International Festival. Photo: Bathsheba Fournier.

But is being defined as a disabled artist such a bad thing? Disabled experience is ripe for artistic exploration.

Steve Daunt - writer

Captions on display at Staged reading of Turning Point at the Lansburgh Theatre in Washington D.C. as part of the VSA International Festival. Photo: Bathsheba Fournier

Captions on display at staged reading of Turning Point at the Lansburgh Theatre in Washington D.C. as part of the VSA International Festival. Photo: Bathsheba Fournier.

Captions on display at staged reading of Turning Point at the Lansburgh Theatre in Washington D.C. as part of the VSA International Festival. Photo: Bathsheba Fournier.

Brian Hemmingsen and Nanna Ingvarsson during staged reading of ‘Ellipsis’ by John Austin Connolly at the Lansburgh Theatre in Washington D.C. Photo: Bathsheba Fournier

Brian Hemmingsen and Nanna Ingvarsson during staged reading of ‘Ellipsis’ by John Austin Connolly at the Lansburgh Theatre in Washington D.C. Photo: Bathsheba Fournier.

Brian Hemmingsen and Nanna Ingvarsson during staged reading of ‘Ellipsis’ by John Austin Connolly at the Lansburgh Theatre in Washington D.C. Photo: Bathsheba Fournier.

Jason Lott and Christopher Wolfe during a staged reading of Should Have Gone To Lourdes by Stephen Kennedy at the Lansburgh Theatre in Washington D.C. Photo: Bathsheba Fournier

Jason Lott and Christopher Wolfe during a staged reading of Should Have Gone To Lourdes by Stephen Kennedy at the Lansburgh Theatre in Washington D.C. Photo:Bathsheba Fournier.

Jason Lott and Christopher Wolfe during a staged reading of Should Have Gone To Lourdes by Stephen Kennedy at the Lansburgh Theatre in Washington D.C. Photo:Bathsheba Fournier.

Turning Point writers Steve Daunt, Rosaleen McDonagh, Stephen Kennedy and John Austin Connolly during a post reading discussion with Gavin Kostick. Photo:Bathsheba Fournier

Turning Point writers Steve Daunt, Rosaleen McDonagh, Stephen Kennedy and John Austin Connolly during a post reading discussion with Gavin Kostick. Photo:Bathsheba Fournier.

Turning Point writers Steve Daunt, Rosaleen McDonagh, Stephen Kennedy and John Austin Connolly during a post reading discussion with Gavin Kostick. Photo:Bathsheba Fournier.

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